Casva autobiography rangers

The Medieval Monastery of Saint Elijah: A History in Paint and Stone. Studies in the Visual Cultures of the Middle Ages, no. 17. Turnhout: Brepols, 2021.

T HE M EDIEVAL M ONASTERY OF S AINT E LIJAH A History in Paint and Stone Alison Locke Perchuk (Ph.D. Yale University) is an art historian specializing in medieval Europe and the Mediterranean. Her work on the Monastery of Saint Elijah received the 2018 Van Courtlandt Elliott Prize of the Medieval Academy of America and she has held fellowships at CASVA (2016) and the Institute for Advanced Study (2018–19). Currently Associate Professor of Art at California State University Channel Islands, her next projects are on medieval Italy’s sacred landscapes and medievalism in California. Nino Zchomelidse, Johns Hopkins University A History in Paint and Stone Blending innovative art historical analysis with archaeology, epigraphy, history, liturgy, theology, and landscape and memory studies, The Medieval Monastery of Saint Elijah: A History in Paint and Stone is the first comprehensive interdisciplinary study of a deeply intelligent yet u

Front Matter

Synopsis

Earth First! (EF!) is one of the most controversial and well known green movements in the world and the driving force behind the anti-road campaigns of the 1990s.

Detailed accounts of major anti-road campaigns, both in the UK and internationally, are included, describing confrontations at Twyford, Newbury, Glasgow and the Autobahn in Germany, as well as information on the globalisation of Earth First!, with details of protests in Australia, Ireland, Germany, France, Holland, Eastern Europe and North America. Earth First! and the Anti-Roads Movement traces the origins of the movement and the history of anti-roads activism in Britain since the 1880s. EF! organisers describe how they took on their green activist identity, the launch of both EF! and the anti-roads movement in the UK, and experiences of dramatic protest. Exposing the tensions between EF! and other green activists, they explain the social and economic influences on and the culture and politics of protest.

Showing how green social and political theory can be linked to practical struggles

Freemasonry and the Visual Arts from the Eighteenth Century Forward: Historical and Global Perspectives 9781501337963, 9781501337994, 9781501337987

Table of contents :
Cover page
Halftitle page
Title page
Copyright page
Contents
Illustrations
Acknowledgments
Introduction
Notes
1 Freemasonry in Eighteenth-Century Portugal and the Architectural Projects of the Marquis of Pombal
The Symbolism of the Baixa
Mardel: Ideology in the Service of Freemasonry
Pombal’s Oeiras and Lisbon Palaces: Freemasonic Aesthetics for the Marquis
Notes
2 The Order of the Pug and Meissen Porcelain
Notes
3 Goya and Freemasonry
Part 1. The Italian Sojourn: A Masonic Network in Marseille?
Part 2. “Your Brother Paco”: Masonic Symbols and Valedictions in Goya’s Letters
Part 3. Goya’s Illness and the Masonic Connection in Cadiz
Notes
4 Freemasonry’s “Living Stones” and the Boston Portraiture of John Singleton Copley
Notes
5 The Visual Arts of Freemasonry as Practiced “Within the Compass of Good Citizens” by Paul Revere
Notes
6 Building Codes for Masonic Viewers in Baron Taylor’s Voyages pittores

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