Blumenstuck robert schumann biography

Composed in 1839 during a period of time when Schumann was living in Vienna and attempting to secure publication for his music periodical, Neue.
Composed in 1839, this work is notable for its lyrical quality and complex harmonies, embodying Schumann's innovative spirit.
Schumann's piano piece Blumenstück (1839) has been viewed as a straightforward effort to appeal to amateur consumers—especially female consumers—of domestic.

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Blumenstück, Op. 19 - Robert Schumann

Blumenstück, Op. 19, by Robert Schumann, is a solo piano piece that epitomizes the Romantic era's depth of emotional expression. Composed in 1839, this work is notable for its lyrical quality and complex harmonies, embodying Schumann's innovative spirit. Schumann's affinity for evocative titles is exemplified in the naming of this piece, translating to "Flower Piece", which suggests an intimate connection to nature and beauty. Through its intricate structure and emotive power, Blumenstück stands as a testament to Schumann's mastery of solo piano composition.

Origins and Publication

The creation of Blumenstück, Op. 19, is rooted in a period of intense creativity and personal transition for Robert Schumann. 1839 was a year marred by legal battles with the father of his then-fiancée, Clara Wieck, which influenced the emotional depth and complexity of his compositions. The piece was published in 1840, a year that also saw the legal resolution allowing Schumann to marry Clara, further highlighting the importance of this period in his lif

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Schumann, Robert Alexander

1810-1856

One of the few really great musicians; born June 8, 1810, at Zwickau, Saxony; the youngest of five children. His parents were not musical, nor, so far as has been discovered, were any of his ancestors. His father, Friedrich Gottlob, was a bookseller with literary tastes and ability, who encouraged his son's fondness for music and literature; his mother was a practical housewife of very ordinary intellect, but warm-hearted, devoted to her children, and while not imaginative, possessed a certain sentimentality of nature which is said to have been the source of Robert's romantic tendencies. The boy showed an early inclination toward music, and was placed at seven years of age under the instruction of a school-teacher, Kuntsch, whose knowledge of music was limited; however, the boy studied for several years until his teacher declared he could go on alone, and it is said, prophesied future greatness for him. It is evident from a letter of Schumann's in 1852, that he remembered Kuntsch with loving respect and gratitude. At ten he became a student