Ryan cayabyab
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RIGHTS
NOVELS
The Gospel According to Van Hutten (“El Evangelio según Van Hutten”)
Buenos Aires: Seix Barral 1999, 2004, 2019, 228 p.
Greece: Kastaniotis 2005 · Italy: Crocetti 2002
Chronicle of an Initiate (“Crónica de un iniciado”)
Buenos Aires: Emecé 1991, Seix Barral 2000, 2019, 357 p.
He Who Is Thirsty (“El que tiene sed”)
Buenos Aires: Emecé 1985, Seix Barral 1994, 2019, 253 p.
Greece: Exandas 2002
NOUVELLE
The House of Ash (“La casa de ceniza“)
Buenos Aires: Estuario 1967, 1977, Seix Barral 2001, 2019, 134 p.
SHORT STORIES
Las maquinarias de la noche
Buenos Aires: Seix Barral 2022, 176 p.
About the World We Knew. Personal Anthology
(“Del mundo que conocimos. Antología personal”)
Buenos Aires: Alfaguara 2016, 200 p.
The Trembling Mirror (”El espejo que tiembla“)
Buenos Aires: Seix Barral 2005, 2022, 128 p.
Antología pessoal
Buenos Aires: Instituto Movilizador de Fondos Cooperativos 1999, 124 p.
Complete Stories (”Cuentos completos“)
Buenos Aires: Alfaguara 1997, 2012, 496 p.
Las Maquinarias de la Noche
Buenos Aires: Emecé 1992, Planet
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Nicanor Abelardo
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Nicanor Abelardo (1893 - 1934) was a composer who emerged from post-colonial Philippines to create a national musical identity. A composer of over 140 works that included sonatas, concerti and chamber music, Abelardo is best known for elevating the Philippine genre of the Kundiman into a western art-song form. He is credited as being the most prominent and most influential of composers during the height of classism in Filipino music, a period which lasted from the 1860s until the end of World War II. The Violin Sonata (1931) by Abelardo is a composition for violin and piano that does not fit the characteristics most associated with Philippine music, particularly the Kundiman that Abelardo is best known for during that time period. Abelardo composed the Sonata as a student at the Chicago Musical College. It is a work that allowed the composer to explore unfamiliar musical languages influenced by Debussy, Schoenberg, Ravel, Hindemith and Bartok. The Sonata embodied a modern and western sound by a composer who exemplified Philippine music, nationalism and identity. There is no publis
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