Exposition georges rousse biography

Throughout the world, in abandoned buildings, before their destruction or rehabilitation, Georges Rousse established his work and his darkroom over the last twenty years.  He set up his mobile studio in places in which he has given a new story, a new soul.  As he likes to say, “I am appealing to numerous artistic practices: I am the project designer, painter of the place, an architect by my interpretation of the space and construction that I organize there, and finally, the photographer to bring together all of these actions.”

New spaces are created by the effects of perspective, anamorphosis, and trompe-l’œil technique.  For photography, the transition from three-dimensional space to two-dimensional image disturbs the eye and seems to be unreal, like what happens with a painting.  All the complexity of the relationships between architecture, photography, and painting are evident in his peaceful photographs with their serene and contemplative atmosphere.

Since his first exhibition in Paris, at the Galerie de France in , Georges Rousse has continued creating his installations and showing his photographs around the world, in Europe, .

Georges Rousse FR, currently resides and works in Paris. During his higher education studies to become a doctor, he became interested in photography. He continued learning from a professional in the field of photography and printing. Later, he opened his own studio where he gathered architectural photographs and advertisements.

He launched his career in the s, and it continues to this day. Throughout his career, he has showcased his multiple works in major exhibitions held in internationally recognized venues. His work has been rewarded on numerous occasions. The artist participated in several biennials Paris, Venice, Sydney. As an artist and plastician, Georges Rousse embarked on photography following the footsteps of great American masters such as Steichen, Stieglitz, or Ansel Adams.

It is partly through Land Art that he opted for a unique trajectory in photogr

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